Then and Again Voltaire Weezer Self Titled
| Weezer | ||||
|---|---|---|---|---|
| | ||||
| Studio anthology by Weezer | ||||
| Released | May 15, 2001 | |||
| Recorded | December 2000 | |||
| Studio | Cello, Los Angeles | |||
| Genre |
| |||
| Length | 28:20 | |||
| Label | Geffen | |||
| Producer | Ric Ocasek | |||
| Weezer chronology | ||||
| ||||
| Singles from Weezer | ||||
| ||||
Weezer (besides known as the Green Album ) is the 3rd studio album and 2nd cocky-titled album by American rock band Weezer. It was released on May 15, 2001, past Geffen Records. It serves as the second Weezer album produced by Ric Ocasek, who produced their debut album, and the merely Weezer anthology to feature bassist Mikey Welsh, who replaced Matt Abrupt.
Afterward the disappointing reception for their 2d album, Pinkerton (1996), Weezer went on hiatus and the ring members worked on side projects. During this time, their fanbase grew online and Pinkerton'south standing improved. Later a improvement performance at the Japanese Summer Sonic Festival, Weezer began rehearsing and recording new material. Following the aggressive compositions and confessional themes of Pinkerton, songwriter Rivers Cuomo wrote simpler songs with less personal lyrics.
Weezer received generally favorable reviews. It debuted at number four in the U.s.a., where it has since sold over 1.vi 1000000 copies. Three singles were released from the album: "Hash Pipe", "Isle in the Sun", and "Photograph". "Hash Pipe" was a worldwide hit, charting on 7 unlike charts.
Background [edit]
Rivers Cuomo performing live
Weezer's second album, Pinkerton, was released on September 24, 1996.[2] It sold poorly compared to Weezer's 1994 debut,[3] mayhap due to its darker, more than abrasive sound.[2] Following the Pinkerton tour, Weezer went on hiatus.[iv] Frontman Rivers Cuomo returned to Harvard University to terminate his studies, merely dropped out to focus on songwriting.[4] During this time, he formed a new band, Homie.[5]
By February 1998, Cuomo had disbanded Homie and headed to Los Angeles to begin work on Weezer demos with guitarist Brian Bell and drummer Patrick Wilson.[6] Bassist Matt Precipitous was absent from rehearsals and became estranged from the band.[vii] [8] On Apr 8, 1998, Sharp announced his exit from Weezer to devote his energy to his band the Rentals.[9] Information technology was chop-chop announced that onetime Homie bassist Mikey Welsh would accept over on bass for Weezer.[10] [11]
Frustration and creative disagreements led to a decline in rehearsals. In late 1998, Wilson left for his home in Portland awaiting renewed productivity from Cuomo.[12] Cuomo became depressed;[13] he painted the walls of his home blackness and put "fiberglass insulation all over the windows and and so black sheets of fiberglass and then that no lite could become through".[12] During this time, he isolated himself and abstained from contact with the outside world.[14] [15] He also had braces put on his teeth, further dissentious his self-esteem.[sixteen]
By 1999, the members of Weezer had over again gone their split up ways; Wilson resumed work with his band the Special Goodness, Bong worked on his band Space Twins and Welsh toured with Juliana Hatfield.[17] Meanwhile, Cuomo wrote 121 songs, nearly one-half of which would become demos.[17] Bong would occasionally visit Cuomo and play songs with him.[fifteen]
Unbeknownst to the band, their fanbase was connecting and growing on the net,[xvi] [18] and Pinkerton's disquisitional and commercial standing was improving.[xix] [18] [20] Weezer accepted a lucrative offer to perform in Japan in August 2000 for the Summer Sonic Festival;[21] rehearsals for the bear witness reinvigorated the band.[22] They returned to performing in June 2000, playing low-key shows around Los Angeles under the pseudonym Caprine animal Punishment, ensuring that Weezer would only perform for longtime fans who would recognize the proper noun.[22]
Somewhen, Weezer performed higher-contour gigs such as the Warped Bout.[23] Cuomo said: "We went in there fully expecting to be booed and to accept things thrown at us. Merely information technology was exactly the reverse, people were singing along to all the songs and just going crazy, giving us the best support. And I think that gave u.s.a. the confidence we needed."[24] The response led to further shows.[25] [26] MP3 demos captured live on the band's mobile unit of measurement and soundchecks surfaced on file-sharing services and somewhen were released as downloads on the Weezer website.[xviii] These songs are often referred to as "Summer Songs of 2000".[18]
Recording [edit]
On October 23, 2000, Cuomo announced that Weezer would start recording material "with or without" a producer.[27] Nonetheless, the band's record label decided to have the band employ a tape producer due to the commercial failure of their self-produced album Pinkerton. [27] The band began rehearsing and arranging both the Summertime Songs of 2000 and newer cloth Cuomo had written at his home with engineer Republic of chad Bamford.[27] The ring eventually decided to rent Ric Ocasek—who had as well produced their debut album—as producer,[26] [28] and began sending demos to Ocasek during the summer of 2000.[29] There was much contend among the band members as to whether they should record in Los Angeles or Ocasek'south New York habitation, with the band eventually deciding to record in Los Angeles at Cello Studios.[28] The ring continued to demo new music daily and started to weed through more seventy-five demos, eventually homing in on 20-five potential album tracks in anticipation of Ocasek's arrival.[thirty] Ocasek worked with the ring to trim these downwards further to eighteen songs.[31]
Afterwards the mixed reception to Pinkerton, Cuomo wrote simpler songs with less personal lyrics; he stated the songs "very intentionally not most me. Not nearly what was going on in my life, at to the lowest degree in a conscious manner."[32] Recording sessions began in early on December, with Ocasek providing feedback past phone.[28] On December 27, the ring embarked on what would be close to six weeks of studio work by playing songs repetitively in lodge to track the bass and drums parts.[33] They besides did "scratch takes" of the vocals and guitar, designed to become accurate rhythm tracks before being redone more efficiently later in the recording process.[33] While recording the album, the ring continued to perform gigs nether the pseudonym Goat Penalty.[33] [34]
During the recording sessions, an executive at the band's label, Geffen Records, visited to observe the band'southward progress and expressed dissatisfaction with several tracks.[35] This feedback somewhen forced the ring to discard a few of the album'southward possible songs.[35] The band relocated for three weeks to a smaller studio in some other part of Cello Studios where Cuomo and Bong worked on guitar takes while the entire band recorded vocal tracks.[36] Ocasek said: "Rivers always does his guitar parts in 1 take."[36] Mixing began on Jan 31 by Tom Lord-Alge at Southward Beach Studios inside the Marlin Hotel, Miami Embankment, Florida.[37] [38]
Packaging [edit]
"I set out to design the parcel exactly how I would want it, and information technology just turns out that it's very like to the kickoff anthology. I'm the aforementioned person as I was then, pretty much. I take the same taste and then I don't see why information technology should be unlike."[39]
— Rivers Cuomo discussing the artwork of Weezer.
Art direction was handled past Chris Bilheimer with photography from Marina Chavez and Karl Koch.[40] Information technology is similar to the cover art of Weezer'due south debut album.[41]
The album cover was shot between ring practices and featured Welsh, Cuomo, Bong and Wilson standing left to right in front of a plain, lime-greenish properties in a manner like to the band's debut album. This was done every bit a tribute to Ric Ocasek, who had also produced their first album,[39] and too to symbolize the band's back-to-basics approach they took while recording the album.[39] This approach is alluded to in a quote in the liner notes of the album: "Torniamo all'antico e sarà united nations progresso",[40] [42] [43] from Italian opera composer Giuseppe Verdi that means "Let united states of america return to old times and that will be progress."[44]
The movie within of the CD booklet is a photo of Weezer playing live, featuring (in the lower right hand corner) an overlay of the silhouettes of Mike Nelson, Tom Servo and Crow T. Robot from the television show Mystery Science Theater 3000. (Hence the liner notation citation "MST3K silhouette appears courtesy of Best Brains, Inc.")[40]
This was Weezer's first album to feature a transparent CD tray. Under the CD tray of the album, the give-and-take "No" tin can be establish on the back of the spine.[45] Some fans speculate that this is a response to the inside tray of Radiohead's album OK Calculator which contains the text "I like y'all. I similar you. You are a wonderful person. I'm full of enthusiasm. I'k going places. I'll exist happy to assistance yous. I am an of import person, would you like to come dwelling house with me?"[46] Weezer's caption was vague, with webmaster Karl Koch stating "No ways no."[47]
The album contains the dedication "In loving memory of Mykel and Carli." Mykel and Carli Allan were sisters devoted to developing fan clubs for up-and-coming bands.[48] The sisters had been influential in starting and developing Weezer's official fan club in the 1990s and, along with their younger sis Trysta, died in a car accident in 1997.[49] [50]
Promotion [edit]
The anthology met with enthusiasm from the record characterization;[51] according to Weezer collaborator Karl Koch, "They had null but supportive and excited things to say almost it."[51] Notwithstanding, the album's original release date of April 17 was postponed due to executives not liking Cuomo'southward choice of "Hash Piping" as the get-go single. Citing the song's lurid content well-nigh a transvestite prostitute equally inappropriate, they suggested that "Don't Let Go" be chosen as the beginning single.[52] However, Cuomo continued to fight and "Hash Pipe" eventually became the album's first single.[52] The label tried to postpone the release date farther until June, just the band convinced them to adhere to the May xv release appointment.[53]
The video for "Hash Pipe" was directed past Marcos Siega and was the showtime of many Weezer videos directed past Siega.[54] In the video, Weezer performs in an arena while a group of sumo wrestlers are fighting in the background.[53] The song title was often censored as "H*** Pipe" (the title employed on the music video'south title card) or "One-half Pipe".[53] [55] The song became a hit on the MTV prove Total Request Live,[56] and also received heavy rotation on radio,[43] peaking at number two on the U.s.a. Modern Rock Charts.[57] The song was nominated for High Times magazine's "Pot Song of the Twelvemonth".[58] [59]
The next single, "Island in the Sun", was a radio hit and became one of Weezer'south biggest overseas hits.[sixty] It peaked at number 11 on the U.s.a. Modern Rock Charts[61] and at number 31 on the UK Superlative 40.[62] Ii music videos were created for the vocal: the offset video, directed by Marcos Siega, shows Weezer playing the vocal at a Mexican couple'due south wedding reception and features all four band members.[63] The executives at MTV disliked Siega'due south video, prompting the band to motion picture a second video.[64]
After suffering a breakup from the stress of touring, undiagnosed bipolar disorder, and drug corruption, Welsh attempted suicide and left Weezer in 2001.[65] Without him,[64] the band filmed a second video for "Island in the Sun", directed by Spike Jonze and featured the band playing with wild animals.[66] [67] Sharp may accept been approached to exist in the video.[68] Scott Shriner, who was filling in for Welsh and later became a permanent member of Weezer, stated in the commentary for "Video Capture Device" that he almost asked the band to let him appear in the video.[69] The second video received much wider airplay than the original and has get the standard video for the song.[64]
The 3rd and last single from the album was "Photograph", which was released to radio in early November.[70] The unmarried peaked at number 17 on the U.s. Modern Rock Charts.[57] In Japan it was released as the showtime single instead of "Hash Pipe."[1] The band felt the song didn't have the staying power of the previous singles,[71] and thus decided to pass on a big-name director for the music video, opting instead to have Karl Koch shoot and edit a video from on-the-road footage.[71]
Disquisitional reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 73/100[72] |
| Review scores | |
| Source | Rating |
| AllMusic | |
| Drowned in Sound | 9/10[74] |
| Entertainment Weekly | B+[75] |
| Houston Chronicle | four/5[76] |
| The New Zealand Herald | |
| NME | five/10[78] |
| Pitchfork | four.0/10[79] |
| Q | |
| Rolling Stone | |
| Slant Magazine | |
Weezer received generally favorable reviews. At Metacritic, which assigns a rating out of 100 to reviews from mainstream critics, the album received an average score of 73 out of 100.[72] Reviewing the album for Rolling Stone, Rob Sheffield wrote that the band had made "a totally crunk geek-punk record, buzzing through 10 excellent tunes in less than half an hr with nil filler".[81] AllMusic senior writer Stephen Thomas Erlewine wrote that while Weezer is essentially "just punk-pop, delivered without much dynamic range only with a whole lot of hooks", "nobody else" excels at the manner as successfully as Weezer does on the album, which he felt ranked amid the best rock records of 2001.[73] Rolling Stone described the Green Album as the "anti-Pinkerton", with album art and "squeaky-make clean" production that recalled Weezer's debut.[83] The album was compared to the 1999 picture show Star Wars: Episode I – The Phantom Menace past Rob Mitchum of Pitchfork, whom stated "Both sci-fi epic and alt-stone record were long-awaited events that had even the near jaded hipster hopping around like a small child with a total bladder."[84]
Neva Chonin of the Houston Chronicle called it "a sublime pick of power-pop songs with plenty lyrical ballast to keep them from floating away on their ain euphoria".[76] PopMatters critic Jason Thompson credited the band for their determination to take Ric Ocasek return as producer,[85] every bit did Entertainment Weekly 's Evan Serpick, who viewed the album as "a return to their winning formula of sugary power pop and smart-assed rants".[75] Russell Bailie of The New Zealand Herald remarked that "the self-conscious nerd-gene of old seems largely and happily absent" on an album that "sounds similar a revitalisation with a hint of maturity".[77]
Writing in The A.V. Club, Stephen Thompson establish that Weezer "feels a bit repetitive and perfunctory the showtime time through", simply "nonetheless finds Weezer sounding revitalized in every way."[86] Slant Magazine 'south Sal Cinquemani described information technology equally "fillerless" and without "much to complain most", despite the lack of songs that "hit the spot" like the singles from Weezer's debut.[82] Pitchfork critic Spencer Owen was more than critical, finding the anthology "average from beginning to cease" and lacking in the "sense of dynamics and intricacy that Pinkerton – and peculiarly their debut – held in spades".[79] Sarah Dempster from NME was similarly disappointed: "The most irritating aspect of the Dark-green Anthology is... the maddening itch of wasted opportunity."[78]
Weezer placed at number 21 on The Hamlet Voice 's year-end Pazz & Jop critics' poll for 2001.[87] The album ranked at number 3 in Drowned in Audio 's list of the best albums of 2001,[88] while Spin named it the twelvemonth's ninth best anthology.[89] Q and Rolling Stone both listed it equally i of the best albums of the yr.[90] [91] Rolling Rock 's Laura Marie Braun wrote in 2022 that the success of Weezer helped requite Rivers Cuomo an "ego heave" after the initial lukewarm critical reception to Pinkerton, which in turn helped him reconcile his own conflicted feelings virtually that anthology.[41]
Sales [edit]
In the U.s.a., Weezer debuted at number four on the Billboard 200 on the week of May 15, 2001 selling 215,000 copies.[92] [93] It was certified platinum by the Recording Industry Association of America (RIAA) on September 13, 2001.[94] Every bit of August 2009, the album has sold ane,600,000 copies in the United States.[95] In Canada, the anthology debuted at number ii on the Canadian Albums Chart.[96] The album has been certified Platinum past the Canadian Recording Industry Association (CRIA) for 100,000 shipments.[97]
The album debuted at number thirty-one on the UK Albums Chart.[98] In Australia, the album peaked at number twenty-five.[99] Weezer also peaked in the Top Ten in Norway at number eight.[100]
Track listing [edit]
All tracks are written by Rivers Cuomo[40].
| No. | Championship | Length |
|---|---|---|
| ane. | "Don't Let Go" | 3:00 |
| 2. | "Photograph" | 2:xx |
| 3. | "Hash Pipage" | 3:06 |
| 4. | "Island in the Sun" | three:20 |
| 5. | "Crab" | two:34 |
| half-dozen. | "Knock-downwards Drag-out" | 2:08 |
| 7. | "Smile" | 2:38 |
| 8. | "Uncomplicated Pages" | 2:56 |
| 9. | "Glorious Twenty-four hours" | 2:forty |
| 10. | "O Girlfriend" | 3:50 |
| Total length: | 28:22 | |
| No. | Title | Length |
|---|---|---|
| 11. | "I Practice" | i:51 |
| Total length: | thirty:11 | |
| No. | Title | Length |
|---|---|---|
| 11. | "The Christmas Vocal" | 3:08 |
| 12. | "I Practice" | 1:51 |
| Full length: | 33:xix | |
Personnel [edit]
Adapted from the album liner notes.[xl]
Weezer
- Rivers Cuomo – guitar, vocals, keyboards
- Patrick Wilson – drums, percussion
- Brian Bell – guitar, backing vocals, synthesizer
- Mikey Welsh – bass, backing vocals
Production
- Ric Ocasek – producer, backup vocals ("Don't Permit Go")
- Karl Koch – backup vocals ("Don't Let Go")
- Chris Bilheimer – art management
- Femio Hernández – banana engineer
- Carlos "Loco" Bedoya – banana engineer
- Alan Sanderson – assistant engineer
- Ken Allardyce – engineer
- Vladimir Meller – mastering
- Tom Lord-Alge – mixing
- Atom Willard – pulsate technician, uncredited pulsate fills
Charts [edit]
| Chart (2001) | Peak position |
|---|---|
| Australian Albums (ARIA)[99] | 25 |
| Austrian Albums (Ö3 Austria)[101] | 15 |
| Canadian Albums (Billboard)[96] | 2 |
| Finnish Albums (Suomen virallinen lista)[102] | 22 |
| French Albums (SNEP)[103] | 42 |
| High german Albums (Offizielle Top 100)[104] | 21 |
| Japanese Albums Chart[105] | 14 |
| New Zealand Albums (RMNZ)[106] | 25 |
| Norwegian Albums (VG-lista)[100] | 7 |
| Scottish Albums (OCC)[107] | 21 |
| Swedish Albums (Sverigetopplistan)[108] | 20 |
| Great britain Albums (OCC)[98] | 31 |
| US Billboard 200[92] | 4 |
Year-end charts [edit]
Singles [edit]
| Year | Song | Peak positions | |||||||
|---|---|---|---|---|---|---|---|---|---|
| US Modernistic Rock [57] | U.s.a. Mainstream Rock [57] | Britain Top twoscore [62] | Kingdom of norway [111] | ||||||
| 2001 | "Hash Pipe" | 2 | 24 | 21 | 74 | ||||
| 2001 | "Isle in the Lord's day" | eleven | — | 31 | — | ||||
| 2002 | "Photo" | 17 | — | — | — | ||||
Certifications [edit]
References [edit]
Footnotes
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- ^ Anticipated return has Weezer in the Greenish at Michigandaily.com; retrieved on September 18, 2006
- ^ a b Luerssen (2004), p. 241.
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- ^ Luerssen (2004), p. 255.
- ^ Luerssen (2004), p. 256.
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- ^ Luerssen (2004), p. 265.
- ^ Luerssen (2004), p. 259.
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- ^ a b c d Luerssen (2004), p. 307.
- ^ Luerssen (2004), p. 281.
- ^ Ramirez, Ramon. "five more higher stone albums for your inner indie snob". The Daily Texan. Archived from the original on October 23, 2007. Retrieved 2007-10-01 .
- ^ Luerssen (2004), p. 285.
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- ^ "Rivers' End: The Director's Cut | Arts | The Harvard Ruby-red". www.thecrimson.com . Retrieved 2015-07-twenty .
- ^ a b c Luerssen D., John, 2004 p. 314
- ^ Luerssen (2004), p. 312.
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{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ a b Braun, Laura Marie (September 23, 2016). "How Weezer's 'Pinkerton' Went From Embarrassing to Essential". Rolling Stone . Retrieved Dec 29, 2016.
- ^ Field, Thalia. "The Grass Is Always Greener For Rivers Cuomo". Harvard Cerise. Archived from the original on 2011-07-17. Retrieved 2008-02-12 .
- ^ a b Luerssen (2004), p. 343.
- ^ Songfacts staff. "Hash Pipage by Weezer Songfacts". Songfacts. Retrieved 2010-09-19 .
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{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ OK Figurer (tray insert). Radiohead. Parlophone. 1997.
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- ^ "Weezer Discography – Weezer (Green)". Music Discography Central. Archived from the original on 2007-09-29. Retrieved 2007-10-29 .
- ^ Steininger, Alex. "HEAR You lot ME! A Tribute To Mykel and Carli". In Music We Trust. Retrieved 2011-01-07 .
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- ^ a b Luerssen (2004), p. 324.
- ^ a b Luerssen (2004), p. 325.
- ^ a b c Luerssen (2004), p. 335.
- ^ Weezer – Video Capture Device (liner). Karl Koch. Geffen Records.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ Luerssen (2004), p. 338.
- ^ Luerssen (2004), p. 339.
- ^ a b c d "Hash Pipe – Weezer". Billboard . Retrieved 2010-08-16 .
- ^ Weiss, Neal. "Weezer, Staind, Afroman Spark The 'Doobies'". Yahoo! News. Retrieved 2007-12-10 .
- ^ Luerssen D., John, 2004 p. 375
- ^ Koch, Karl. "Weezer The Greenish Album – Island in the Sun". Weezer.com. Archived from the original on 2003-03-23. Retrieved 2010-09-18 .
- ^ "Island in the Sun – Weezer". Billboard . Retrieved 2010-08-sixteen .
- ^ a b "Weezer – Creative person Nautical chart History". The Official Charts. Retrieved 2011-01-07 .
- ^ Luerssen (2004), p. 356.
- ^ a b c Luerssen (2004), p. 363.
- ^ "Interview with Outsider Artist Mikey Welsh". Rock Salt Plum. Archived from the original on August 12, 2007. Retrieved October 15, 2007.
- ^ Luerssen (2004), p. 362.
- ^ Luerssen (2004), p. 365.
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- ^ Weezer – Video Capture Device (commentary). Karl Koch. Geffen Records.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ Luerssen (2004), p. 388.
- ^ a b Luerssen (2004), p. 392.
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- ^ a b Erlewine, Stephen Thomas. "Weezer [Light-green Album] – Weezer". AllMusic . Retrieved Nov 24, 2007.
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- ^ a b Serpick, Evan (May eighteen, 2001). "Weezer (The Dark-green Album)". Entertainment Weekly . Retrieved May three, 2012.
- ^ a b Chonin, Neva (June 17, 2001). "A taste for the 'Green'". Houston Chronicle . Retrieved Apr 24, 2017.
- ^ a b Bailie, Russell (July 7, 2001). "Weezer: Weezer". The New Zealand Herald . Retrieved March 2, 2020.
- ^ a b Dempster, Sarah (May 24, 2001). "Weezer : The Green Album". NME. Archived from the original on March 4, 2016. Retrieved August 18, 2010.
- ^ a b Owen, Spencer (May fourteen, 2001). "Weezer: Weezer (Dark-green Album)". Pitchfork . Retrieved December 10, 2007.
- ^ "Weezer: Weezer". Q (179): 142. Baronial 2001.
- ^ a b Sheffield, Rob (June 7, 2001). "Geek Love, Undying". Rolling Rock. No. 870. p. 110. Archived from the original on July 14, 2008. Retrieved Feb 15, 2017.
- ^ a b Cinquemani, Sal (May 15, 2001). "Weezer: Weezer (The Green Anthology)". Slant Magazine . Retrieved November 24, 2007.
- ^ Braun, Laura Marie (September 23, 2016). "How Weezer's 'Pinkerton' Went From Embarrassing to Essential". Rolling Stone. New York City: Wenner Media LLC. Retrieved December 29, 2016.
- ^ Mitchum, Rob (May 27, 2002). "Maladroit". Pitchfork . Retrieved May 12, 2022.
- ^ Thompson, Jason (May 14, 2001). "Weezer: Weezer ("The Green Album")". PopMatters . Retrieved December ten, 2007.
- ^ Thompson, Stephen (May 15, 2001). "Weezer: Weezer (The Green Anthology)". The A.V. Club . Retrieved March 2, 2020.
- ^ "The 2001 Pazz & Jop Critics Poll". The Village Phonation. February 12, 2002. Retrieved March 2, 2020.
- ^ Appleby, Ollie (Jan 15, 2002). "DiS Anthology of the year? you must be joking! – The Best of 2001". Drowned in Audio. Archived from the original on November half-dozen, 2012. Retrieved November iii, 2012.
- ^ "Albums of the Twelvemonth". Spin. 18 (1): 76–77. January 2002. Retrieved March 2, 2020.
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- ^ "The Best of the Rest". Rolling Stone. Archived from the original on Feb 21, 2002. Retrieved March two, 2020.
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- ^ Inc, Nielsen Business Media (2001-06-02). Billboard. Nielsen Business concern Media, Inc. p. 106.
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- ^ "ウィーザー". oricon.co.jp. Retrieved 2009-07-19 .
- ^ "Charts.nz – Weezer – Weezer (The Green Album)". Hung Medien. Retrieved Nov 26, 2007.
- ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved October 2, 2021.
- ^ "Swedishcharts.com – Weezer – Weezer (The Green Album)". Hung Medien. Retrieved October 2, 2021.
- ^ "Canada's Top 200 Albums of 2001 (based on sales)". Jam!. Archived from the original on December 12, 2003. Retrieved March 26, 2022.
- ^ "Canada'southward Meridian 200 Culling albums of 2002". Jam!. Archived from the original on September ii, 2004. Retrieved March 28, 2022.
- ^ "Norwegian album chart archives". norwegiancharts.com. Retrieved 2007-xi-26 .
- ^ "Japanese album certifications – Weezer – Light-green Anthology" (in Japanese). Recording Manufacture Association of Nihon. Retrieved xi September 2019. Select 2001年6月 on the drop-down card
- ^ "British anthology certifications – Weezer – The Greenish Album". British Phonographic Industry. Retrieved 11 September 2019.
Bibliography
External links [edit]
- Weezer at YouTube (streamed copy where licensed)
- Weezer (Green Anthology) at MusicBrainz, Us
- Weezer (Greenish Anthology) at MusicBrainz, United Kingdom
- Weezer (Light-green Album) at MusicBrainz, Japan
Source: https://en.wikipedia.org/wiki/Weezer_%28Green_Album%29
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